July 31, 2011

This is anbother fine example of a possibly good shot being ruined by someone inadvertently moving into the frame at the worst possible time. It's one of Mark Sanders' crewmen (the back-up guy) jumping over the wall as "Mr. Explosive" blazes past on his burnout. But for some strange reason it seems to work as the juxtaposition of the car and crewman tells a bit of a story, and isn't that what photography is all about?

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